Showing posts with label Peplum. Show all posts
Showing posts with label Peplum. Show all posts

Friday, September 3, 2010

Paul Wynter, "L'Ercule Noir"


Handsome, symmetrical Antiguan-born Paul Wynter was, along with Serge Nubret (from Hercules and the Rebel Slave), one of the few black bodybuilders in Sword n' Sandal pictures. Paul Wynter's trademark outfit was his leopard-print bathing suit that called attention to his ethnicity...a gimmick that Scary Spice would later borrow during her pop years in the gay nineties.




Like his fellow Italian Sword & Sandal muscle star Alan Steel, Paul Wynter was also pretty short and it got downright unintentionally funny how the directors and others went out of their way to avoid demonstrating his average height. What Paul Wynter lacked in height he made up for with what is easily one of the most devastatingly chiseled and symmetrical physiques ever.

Always a bridesmaid, never a bride, Paul Wynter played Maciste's brawny sidekick and ally in what was quite possibly the weirdest and campiest of the Maciste films, "Son of Hercules Against the Mole Men."




He was also the very dramatic heavy against Gordon Scott in "Atlas in the Land of the Cyclops," which incidentally, also featured scenes with a baby that would later grow up to be Fabio. Yes, that Fabio.





As an aside, I always wondered why more Peplum films didn't have muscular enemies for the heroes to fight on equal terms, like Godzilla vs. Mothra. As with Westerns made in the same era, one of the problems with Peplum as a genre is that the villains were never as compelling or interesting, and they are very seldom threatening or powerful, especially compared to the handsome muscle hero downright assured of victory against scheming, craven and downright bad foes. At least Paul Wynter's physique gave Maciste a credible, villainous threat.





Typically, it's good storytelling advice that if you want to be a slacker, ignore your hero and concentrate all your industriousness on your villain.

There are some counterexamples to this. For instance, Paul Wynter's leopardskin baddie was more interesting than the hero, and there was the vampiric, shapechanging Kobrak from Goliath Against the Vampires, and the race of identical Atlantean clones made from the blood of Uranus (don't ask) in classic MST3K fodder in Hercules and the Captive Women, who were at least powerful and credible enemies that could mop the floor with Herc. Perhaps it was the power and shock of their introduction, a surprise in an otherwise predictable movie.





Incidentally, Paul Wynter recently received a major award in his native Antigua from the Governor-General. Being of Cuban descent, I know exactly what that's like: little countries do everything in their power to honor anyone that makes it in the bigger world. Us Cubans for instance, never shut our traps about Dr. Carlos Finlay, who cured Malaria during the Spanish-American War.

Thursday, November 5, 2009

Hercules Returns!

For heaping helpings of muscle guys, not to mention that Australian sense of humor that we've all come to know and tolerate, try "Hercules Returns," an Aussie dub of a Sword n' Sandal picture done for comic effect, a la "Kung Pow: Enter the Fist."









I will admit to a love of goofy dubbing effects and their comic value. True story: I saw "Kung Pow: Enter the Fist" the same day I saw the unbearable "Crouching Tiger, Hidden Dragon," easily the worst movie ever nominated for Best Picture (at least until The Aviator and Benjamin Button came along!). Perhaps it was high expectations, but I was led to believe by a friend that it was the Martial Arts equivalent of Errol Flynn in Adventures of Robin Hood or Raiders of the Lost Ark.

Boy, was it a disappointment. I had to see another film to wash the taste from my mouth. So I snuck into "Kung Pow: Enter the Fist." And boy, did that film do the trick. It was weird, screwy and funny. What I find most amazing is how almost every scene in the trailer was quite literally the least funny scenes in the film. Predictably enough, the critics didn't "get it." Apparently, none of them played with dubbing equipment when they were growing up.